Wuahache Collective recording Latin American music live at Hot Milk Studio

Service · Berlin-Pankow

World Music Recording in Berlin

Balkan brass, gypsy jazz, flamenco, Latin American, klezmer, Arabic and Turkish ensembles — recorded live in Berlin-Pankow across four connected rooms, with the percussion, strings and horns of the tradition kept in one shared groove rather than pulled apart into a grid.

What it is

Traditions that Live in the Groove

Traditional and international repertoire rarely survives a click track. The feel sits between the players — the way a Balkan brass section leans on the beat, the way a cajón and a requinto trade time — so we record the ensemble together, in the same moment, across up to four rooms with eye contact intact.

Instruments arrive that no studio owns: ouds, bouzoukis, charangos, tapan drums, accordions, cajóns, hand percussion of every size. Each gets mics chosen for it rather than a template, and the balance is built in the room before it is built in the mix. Jazz-specific formats have their own page: jazz recording.

Who it's for

Ensembles from Everywhere

Berlin is full of ensembles carrying repertoire from somewhere else. Most of them play music built for a room full of people, not a headphone grid — which is exactly what this studio is set up for.

  • Balkan brass and Roma ensembles.
  • Latin American groups — Andean, Chilean, Cuban, Brazilian.
  • Flamenco, with guitar, cajón, palmas and voice tracked together.
  • Klezmer, Arabic and Turkish ensembles with oud, qanun and ney.
  • Gypsy jazz and string-led crossover projects.
  • Percussion-heavy line-ups needing several isolated rooms at once.

Sessions in motion

Recent World Music Sessions

Two recent projects show the range: the Wuahache Collective's Latin American EP with Antonio Restucci, and Adrian Raso & Fanfare Ciocărlia's The Devil Rides Again — a Balkan brass record mixed and mastered here that won a Quarterly Critics' Choice from the Preis der deutschen Schallplattenkritik.

Antonio Restucci recording charango at Hot Milk Studio
Antonio Restucci — charango and guitar
Latin percussion instruments miked up in the main room
Latin percussion setup
Gypsy jazz ensemble tracking live at Hot Milk Studio
Berlin Django Project
Estela del Mar singing during a Latin American session
Remar en Colibrí — Estela del Mar
Igor Spallati recording double bass with the Wuahache Collective
Igor Spallati — double bass
Adrian Raso, whose Balkan brass record was mixed and mastered at Hot Milk Studio
Adrian Raso & Fanfare Ciocărlia

Frequently Asked Questions

Can a large percussion-heavy ensemble record live?

Yes. Three tracking rooms plus the control room let us separate drums, percussion and voice while everyone keeps eye contact. Bleed between mics is planned for, not fought.

Do you have experience with instruments outside the western studio norm?

Regularly — charango, requinto, oud, bouzouki, tapan, accordion, cajón and hand percussion have all been tracked here. We choose mics per instrument, and there is time in the session to try two options.

Can you mix and master a record recorded elsewhere?

Yes — the Adrian Raso & Fanfare Ciocărlia album is exactly that: tracked abroad, mixed and mastered here.

Let's plan a session together.

Tell us about the music, the players and the sound you'd like to hear back. We'll come back with a plan.

Book a Session

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